what sharon van etten?s heart bleeds her songs soak in and offer up to those throats in need of slaking. this is what we expect from musicians who trade in the autobiographical. we hold forth empty vessels and expect them to be filled with the reflective elements of a songwriter?s soul, mirrors within which we search for some small recognizable part of the self. ?because i was in love? features sharon van etten on vocals, acoustic guitar and tambourine, and greg weeks on electric guitar, organ and wood blocks.

beeing together in the studio for a while - here s the results: take me to mabayi features a nine minute ecstating ride - accentuated by a pulsating, hypnotic, rhythmic and gradually building melody and compelling breakdown. 100% sure with ricardo villalobos, loco dice, mathias kaden. la trutruka - golden version combine emotive slackin house beats with synthesizer washes and constant, rolling rhythmic underlay, straight and right down to the last detail with the la trutruka riff - for those who knows and some vocal samples. these are three small dissertations that connect rhythm based house-paced hills with modern dance music and experiments with synthetic song structures

in a subterranean tunnel, halfway between las vegas and new york is a small after hours venue where the walls are covered in red velvet and the floor littered with dreams and broken promises. over the soundsystem is the trace of a groove, deep and stark, cut into a vinyl that was already worn down before it was played the first time. welcome to the afterparty that never finishes. be careful where you put the drink!

insanely limited colour promos of the andres remix of feeding and 3 mixes of power thru that were previously unavailable. ndatl only pressed up 175 of these and weve only got a very small amount of them. so if you love the soul ful andres deep house sound you better snap one up now or forever be disappointed.

all things hip shaking, and all things electronically funked up to the max is where the ethique is at yÆall! french dj/producer john thomas is joined by his soulful brazilian wife, barbara thomas, to deliver a collection of 11 tracks of crafted dancefloor electronic funk entitled æthe unlimited experienceÆ, a new album project that pushes house music to new boundaries and beyond. with the hip-shakinÆ sentiment deeply ingrained in john and barbaraÆs trademark sound, the project re-injects the ever so important funky groove back to the electronic sound. quality electronic funk for those bassbins!

after a small break h2oh recordings is back!! omar santana picked up one of his classic tunes and decided to remix it, and the result is outstanding! gutless gets a massive 2009 treatment by omar santana & dre hectik (of course well known for their slammin h2oh releases) and headbanger (megarave rec., rotterdam rec.)... two mindblowing remixes in the typical and highly popular style of these top producers!besides this all also the original mix is offered, which is still in popular demand... so do not miss out on this top notch hardcore 12inch, brutal stuff!!

the enclave of both established artists and fresh undiscovered talent whose shared passion of deep underground detroit influenced house and disco are reflected in the quality output you will come to expect from the label. franc spangler, the revenge, zepp001, john daly, alpha child, 6th borough project, tuccifunk and pezzner are just some of the producers creating their work with tender loving care for delusions. dog01 will be setting the standard with the soul part ii from craig smith & the revenge. these boys are currently riding a wave of successful releases, mainly in the form of their disco and boogie edits under their 6th borough project guise on instruments of rapture. here we see them move into original production territory with a bass heavy slice of brooding and grooving floor friendly house but with their own unique twist. tempos are kept low, drums are kept live sounding and the subtle italo synth lines all ensure this track keeps true to their roots in disco. for their 6th borough project dub they dive head first into a slowly building, drum and percussion heavy workout which has a beautiful tension to it. this is music for small basements with big sound systems. finally we have john dalys beautiful interpretation where he opts for a blissed out, understated and hypnotic sound that wraps you up in layers of warm, echoing synths whilst the groove chugs along masterfully. a true mood setter or after hours classic

ricardo villalobos playlist!! the endless white of the far north. the opening melodies of adam marshalls >north at night< can be heard faintly over the whistling wind. a small black dot appears at the centre of the distant horizon. at first it appears to be still, but gradually we recognize movement. over the next few minutes the shape begins to grow until it has defined the image of a man walking towards us. as he approaches, the music grows clearer. like the warmth of the first sunlight >rose mountain< radiates its glow through the use of a flurry of rhodes electric piano chords. adams signature percussion permeates the dub and binds its elements into an infectious groove. >mfb flex< is the counter balance to the organic flow of the other cuts and molts the warmth into a techno roller designed for the long player mix. marshall said… >ive long been intrigued by that incredible tapestry of tundra and taiga which constitutes the arctic and sub arctic of our country. ive read about it, written about it and even pulled up my parka once and gone there, yet, like all but a very few canadians, ive had no real experience of the north. ive remained, of necessity, an outsider. and the north has remained for me a convenient place to dream about, spin tall tales about, and in the end, avoid<

big with thomas jaldemark, trickski, m.a.n.d.y, till von sein, andreas henneberg, mihalis safras, monoroom, benna, the glitz, oliver huntemann !! in the last year lemos has produced both big and small club hits with labels such as cecille, resopal, 8bit and bechosen. and so 2009 is guaranteed to be the year for him. in love with his warm grooves voltage musique is proud to present the opening of the lemos season!!! spring is coming with a big leap! for all fans of ricardo villalobos, nick curly, steve bug and of course lemos himself!

leo anibaldi was born in 1972 and at the age of 15 discovers his passion for electronic music. thanks to the advent of the first computers like commodore vic 20 and 64, he begins to create his first loops. after one year leo start to play in outskints clubs under the pseudonym dj mc, when was impossibile to find in rome any trace of electronic beat. he becomes a big analogics synths collector and he decide to spend his daily life into the creation of beat groove. in 1990 leo begins his recordings career at acv records where he will make more then 20 albums like: attack random, riders of the future, noise generation, muta, cannibald and aeon. in 1991 leo meets lory d and in a small garage located in the north of rome, they start the alternative music movement universally known as the sound of rome, who spread the techno music in rome and whole italy. in those years leo is concentrated to bring his analogic live set around the world, he plays in the best techno parties like one the first love parade edition in berlin. in 1995 leo decides to cut the relation whit acv records and moves to rephlex, label of his friend aphex twin where he will make the album void. 2008. cannibald record was born, leos personal record label, and he is back with a 4 track ep. feed1 is a hypnotic techno sound, feed2 a deep, spaced out techno track and feed 3 modern minimal acid. leos older hit >attack random< got remixed by francesco pierguidi.

played by: ricardo villalobos, sebo k, brothers vibe, loco dice, dj deep (deeply rooted), karotte, nick curly and more... !!after the last fantastic release on fumalab we now make a stop in southern america – to be precise: in santiago de chile. there is a lot going on in chiles electronic music scene and dj felipe valenzuela is one of the agitators of the night in santiago de chile with one foot in latin america and the other one in the old continent. he is a fresh, young, and talented producer. we will hear a lot from him in the future … he took piano lessons for a long time and his first producer steps started in 1995. felipe is a dj since 2002. he organized small underground parties in santiago de chile shortly after he travelled to europe, especially spain. from this experience, great alliances have been created with bookings and excellent agencies. >alicante< is a spherical and hypnotic track which takes you on a journey through chile. there are spoken words in combination with a dreamy chorus and typical sounds from latin america. alicante evolved from a team work as rockit-f. this is felipe valenzuela together with fernanda diaz. >dive< is a percussive, mental track with sound snatches ranked together with a very special feeling. its a long trip – call it a lesson into rhythm and drums. the music kicks you discreet the whole time. >dive< emerged from collaborating with felipe venegas. hes also known from releases on immigrant

after concentrating on different music projects, its time to release a very own solo release for ewe. with 6feetunder, he chose one of his favourite labels for his new banger. burpweiser ep contains four different tracks which certainly get the club going. pure madness for the dancefloor. just perfect for the small anniversary of the 6 feet under label.

fimo is the project of three guys from the music city of mannheim. each of them has a variety of musical roots, which in combination developed to an ambitious and productive trio. the influences are ranging from deep house enriched with jazzy and dubby elements to minimal groovy tunes. these guys have been musically active in the rhein/neckar region for many years. with the pollenflug ep they present their first release and allow for a small view on their interpretation of electronic music. besides djing and studio work, fimo are currently working on their live performance. the ep already got huge support from loco dice, luciano, ray okpara, johnny d, nekes, federico molinari, pablo bolivar, lars behrenroth!

small dj bag for 25 records, nicht nur als vinylbag zu nutzen.

brilliant micro- house/ minimal-tech-house with orchestral pads and a small but mighty helping of funk & dirt. 5 ***** de:bug & raveline!!

a sexy release for rare 12inch versions and re edits from belgium and france... we have here some slower but heavy funk numbers, that will appeal to anyone from disco funk lovers to cosmic balearic djs... a side is a killer belgium nuggets, that needed a small cut in the bridges to become a plain and simple absolut classic. b side is the french side... two sexy tracks from the 70s french madness... no joke, first up use to be background music on french tv for the weekly strippers show (aahhhh the 70s)

after having a small break, now the label founders enliven deep acoustics strikes back with a minimal tech funk double- tracker. ruled by an picked oriental basslineand arabic voices and percussions they created a straight forward dance machine.side b comeswith a remix by marek hemmann with his real own style, he has also shown on the debut release elm001. don’t forget the summer…

played by loco dice, tom clark... a booty call. the title says it all, a call for all booties - big or small - to migrate to the dance floor. an orgy of percussion and low end rumble lift you from your head bobbing slump up against the wall and firmly plants you right in the sweet spot of the dance floor, where the rising energy hits a climax. there is a pause and then the most noticeable sound of the track hits: the booty call. one artist credited with invigorating the kindisch label, is the young frankfurt based producer daniel mehlhart, whose first (and hopefully not last) release, origami was a highlight of last summer. in his booty call remix, one can immediately hear his style thrust into the main groove of the track, injecting it with a heavier feel and bringing forth a whole slew of new effects and sounds including a hypnotizing african vocal. this marks a small milestone as the 20th release of the label.

after a small summer break luxaflex is back with a fresh release that rocked the festivals of 2008. simone tavazzi brings you a quality dancefloor tracker. joseph capriati (frankie rec/cmyk rec/loose rec) & mark antonio (rilis / loose analytic trail) reworked the original and made it to a killer ep big one !!

cassette is a small bag ideal for keeping your tobacco, wallet, keys, mobiles, mp3 players and generally stuff that would otherwise fill your pocket. tpye: small bag / pouch dimensions: 17x3x11cm material printed pvc extra: adustable belt designed by serena galdo official product from the synch festifals in greece

great price for this useful small record bag.

small handy recorder (saves on flashcards), high quality recording for studio, live, nature sounds...

the young band cours de performance presents us their debut - release on phonothek. its called one! this varied and extremely good produced record tunes in the club season with a beat of a kettledrum. certainly you hear the influence of the three guys - berlin! the result is a super functional ep, which is played from friday until monday. hammerfall charmed with the warm synthie and the oily clap, which even let the crowd freaks out. white walls the fantastic hands up track, which you never will forget. the amazing song you are thee is definitely produced for the peak time and shakes the sound system with a playful kick. petre inspirescus trash is a small homage to sakadat, but the guys show us how to get more groove from the metaphysical - bomb. rise, listen and start to dance. were excited to hear more of course de performance

leghau was born in montelimar in 1988, small town in south of france. involved in and passionate about music from a very young age, leghau discovers electronic music in montpellier s night events when he was 17. he is a techno/minimal dj & composer, his influence comes from piemont to paul ritch or through andrea roma & the traum label. leghau s production released on different label (flicker rhythm music, fassade recordings, kritical noise records & tongut)!

small handy recorder (saves on flashcards)

small case für dein tonabnehmersysteme

rekids have decided to release a small amount of radio slaves secret dancefloor weapons in a series called >cabin fever< tracks….this 2nd release draws it sound from the early 90s and will definitely take a few heads out there back to 1992

small kulturbeutel nice style

played by loco dice, l.garnier, dixon, prins thomas... big remixes by daniel stefanik & jackmate outstanding release!! champagne or water – which one is more suitable for a small label jubilee? well, probably its best to celebrate such an event with a superb release. after the highly appreciated compilation >moon harbour inhouse vol. 2<, moon harbour throws in 12inch number 30 by its very own mario >marlow< weise. alongside label founder matthias tanzmann he has been part of the moon harbour family right from its start, having had two veritable hits during the last two years with >movin< and >quiet<, both together with singer dehlia/franziska grohmann. his new track >water< (b2) breathes fresh air into the almost forgotten genre of deep house. organic elements meet detailed sound work and subtle pop appeal. with singer claudia nehls at the mic, warm chords, handmade bass and a surprising guest appearance of the flute >water< is the perfect companion for the sweet melancholy of early summer days.... big re-release !!!

the dissident debut from the off-key hat. an excursion into trippy italo-esque territory for dancefloors small, medium and large

minimal decks logo (monocolor) sticker ... small size 3x4cm

legendary 1973 bob marley & the wailers album back on 180 gram vinyl in gatefold sleeve plus download code. includes *get up stand up* and *i shot the sheriff*.

nyc based techno artist gregory shiff, known for his work on such diverse labels as persona, lofi-stereo, and bedrock, introduces his new label the vacationist with this 3-tracker burner, full of color and shifting energy. the first of four interwoven eps, each revealing a small part of the story that inspired this music. limited rerelease

one sided killer application!! some tracks are so weird, that they can neither be fit into a regular release schedule, nor an appropriate b-side be found. for these black sheep we have decided to create a small niche on connaisseur supérieur. the cnss black edition will sporadically present tracks that are way out of our usual categories… with >numb<, daso finally opens his >panteras< box and again proves his ability to rock reeeally hard. the track actually consists of two seperate tracks whose combination has proven itself during several of dasos live performances. it is the transition between the two tracks that makes the crowd go mad. the clonky intro (already published on ware records as mud max - zampone (maderfotor rmx)) morphs into a giant breakdown with perhaps familiar sounding spoken words before it suddenly reincarnates as a ravey monster from hell! numb shouldnt be taken too seriously and is definitely not for all occasions, but dropped at the right moment, this atom-bomb will cause serve damage on dance- floor-gro

in a new series of 12 releases dopeness galore will bring you upcoming european talent, this time presenting the freepoint crew (finland)

after getting braindrained, starbug heads to another adventure in nightlife with three minimal masterpieces. >mocca action< is a small compilation of tracks that are perfect on combining extremely minimal rythm elements with weird sound escapades. enjoy your mocca action!

the skull returns to kindisch with four impeccably sultry and leftfield dancefloor cuts. >must have back< is silky, chicaning mix of ice-cool male vocals and slick, vacuum-packed percussion that will prove devastating to discerning dancefloors, while >lalalala< is a raw, spaced-out house jam that serves up spry, bouncy congas, wobbly bass and clipped hi-hat patterns with no small amount of dubby echo and delay. >forever ever< is a wonderfully trippy slice of minimal techno, a heady bass and percussion workout haunted by the blue, smoky ghosts of jazz keys. be careful - you may well find yourself hypnotized forever ever.the mood is less abstract but no less intense or inviting for deep, reverb-laden closing track >lovesong<. an insistent kick-drum and mind-bending fx make this prime dancefloor material, but the mood of the track is more complex - wistful, pining, mindful of the past, expectant of the future - a lovesong through and through.

two tracks which have been tested to satisfaction in live sessions around the globe during the last months, loved by the girls, envied by the boys, two dense character studies of epic scale where every small detail morphs into a very hookline, relaxed and ambitious at the same time. yep, this guy could even produce a soundtrack to a speck of dust and still everybody would think it’s star wars.

sven wittekind records is back! after a long break the personal label from the german techno hero sven wittekind strikes back with 2 amazing clubtools! powerfull baselines and many small breaks what makes both tracks very intressting. this is for sure a ep you will >never forget<!

nice price deal !!! dark tech-funk breaks - incl chris carter remix

mo rotation is the next step in the history of westpark units 80s funk influences they started with blaxrotation and fits well within the sound of today! always sexy, dope, deep & dubby. proper thang is as deep as jeep and builds up in the typical westpark unit style with some demanding but tricky drumpatterns and a wicked bassline. to surprise, the duo added some old school snippets into the drop, put them into a different context and present a jewel of a bangin deep house tune with one of the most enthusiastic moments when the beats come back in. mo rotation sets up with just some shakers, a demanding percussion loop, a booming bass and needs almost 5 minutes to get things started. when the bassdrum finally drops in, the club is already near ecstasy while the music takes a small step from 1983 to 2008 and a deep masterpiece

supported by agoria, deetron, funk d void, martin landsky, joris voorn, gregor tresher, karotte and many many more.. after several cooperations with his mates h.o.s.h. and stimmig, and a lot of own releases on other labels, this is the first all-own ep of solomun on diynamic! you maybe wont believe it - but it s like that! and because home is the sweetest place on earth, we invite the guests we love and like in this case, we are fans of ourselfs, jamie odell, better known as jimpster or audiomontage, who made a lot of deeptechhouse hearts happy with his productions an his own label freerange during the last years

luscious, epic and british are not words you would usually associate with an emo band. but i was a cub scout are not your ordinary emo outfit - they re two hardcore souls with passion and emotion dripping out of every pore. and its this passion that has captivated audiences up and down the country. the duo, made up of todd marriott and william bowerman, have come a long way in the 18 months they ve been together. they ve supported bands like babyshambles, panic at the disco, editors and forward russia, played to packed out audiences at download and the carling reading and leeds festivals and made one of the most life affirming albums of 2008, i want you to know that there is always hope, which has been produced by hugh padgham . in a climate of indie band soup, i was a cub scout stand apart. a very british band raised on a diet of american music. a duo who manage the feat of being both indie and rock, punk and prog, small yet big...

although only 23 years of age englishmen cris barratt is already considered one of the hottest new producers on the block. what makes him really special is his unique blend of sounds, which is not melodic house, minimal, tribal, rock electro or techno, but at the same time it is all of that. two tracks on this ep are the best reflection of chris >get maximal< approach: he builds the story slowly, upgrades the basic theme bit by bit, then weaves in another leading theme and spices the blend with unexpected small but effective element from the late 90s. the result of this blending is very rich, warm sound, perfect for the parties somewhere at the seaside. re-release

where the previous parts of the magick edit series all reached a small cult status... we were able to get you a total new edition! exclusive edits of some known or maybe unknown tracks... but all done in a great way. the label copy doesnt give much info beside >editechnique production<. two great new york disco tracks with an irresistible groove and one amazing electronic disco funk track. tip

for their latest effort, einzelkind aka arno völker and miguel ayala teamed up with douglas greed for ice 1656 ep. in a1 >la belle<, a rolling, woodblock rhythm sets the scene for the abstracted keyboard tones which cluster around the track’s middle, cranking up the drama and throwing the bottom-line bass throb sharp relief, ahead of the dirty, flanged synth line that’ll gleefully force any dancefloor into submission. >la belle<’s beauty lies in its simplicity - einzelkind and douglas greed use a small, well-chosen assortment of percussive and melodic elements to create a wonderfully tense, propulsive club track with not even a hint of flab about it. for b1 >ed the optician<, the trio inject a bit of funk into proceedings. it’s a slinky little number, characterised by an expanding and contracting, analogue-sounding synth-line, woodwind samples and a bouncy, morse-code bassline, together making for a warm, groving track that will work well in warm-up and peak-time sets alike, not to mention at home. b2 >squirls in a bathtub< is a similarly supple, funk-fuelled cut, driven by haunting, almost animal-like noises and which mutate into wiry acid lines while the aquatic bass drum, hissing shaker and press

dance mania was a chicago label founded ray barney in 1985, and was distributed out of his legenday barneys onestop. from the very beginning it was known for raw, percussive tracks from the dirty side of disco and in the 90s laid down over 200 12inchs that were the blueprint for what is now known as >ghettohouse<, or >bootyhouse<. this sound became the foundation for many regional styles of dance music including detroits >ghettohouse<, baltimores >club<, and the current sound of chicagos neighborhoods known as >juke<. we are happy to announce volume 2 of the ghetto classics series with this 4 track ep from two of our favorite ghettohouse producers. features >wouldnt you like to be a hoe<, taken from the >taris is paris< 12inch on dance mania (dm131) and >groove mode<, taken from the >funk city< 12inch on dance mania

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything